Friday, September 26, 2025
Are You There God? It's Me, Margaret book and movie
Tuesday, September 23, 2025
All the Bright Places: Book and Movie
Re-read September 2025: This was a re-read for me because I want to watch the movie on Netflix but didn’t remember enough. I remembered loving it in 2015 - 5 stars, rave review, the works. But re-reading it now, after the ways the country has changed since then, raising a son and seeing how Finch acts with Violet, being so pushy… It didn’t sit right with me. I know it’s not the point of the book but the way he kept going after her, making comments about wanting to kiss her and all that, really rubbed me the wrong way. Is it supposed to be ok because of his mental illness? Or because she eventually gave in and fell in love with him? I don’t think so. I see him as manipulative and pulling her into his orbit just to leave and fuck her up even more. Sure, he’s depressed and trying to feel things, but I just can’t stomach it in the current climate.
That said, the writing is beautiful, and knowing why Niven wrote it is really interesting and explains a lot about how Finch is portrayed, in my opinion.
***
The movie... Wow. It cut so many details, so much story. I'm not sure I could have followed it if I hadn't read the book first. I don't think it stands on its own. Finch's suicide seemed completely random in the movie, in my opinion. And I do still think that, even in a visual form, they could have conveyed some of the interiority from the book.
They cut Finch's mom and dad to just mentions instead of showing the characters. I think this is fine overall, and the mom definitely could have been cut from the book as well, but the dad's scenes seemed really important. The movie completely cuts out the little sister. Like with the mom - I think this works. I don't think she added anything to the book except another person Finch left behind, so the movie doesn't suffer for that.
As I mentioned, I think you need to have read the book to get anything from this movie. So many scenes were cut or rushed, but there were two waaaaaay too long scenes of people dancing in a field. It didn't convey anything to me when it was Finch and Violet or when it was Violet with Finch's friends later. It was just trying too hard to make you feel the moment when those precious seconds could have been used for literally any other scene that was cut from the book.
Monday, August 18, 2025
Five Survive by Holly Jackson
Thursday, August 7, 2025
Forever... by Judy Blume (Book + Show)
There are some stories that imprint on you long before you understood why. For me, Forever... by Judy Blume is one of those books. I first checked it out of the library when I was about nine (seriously) and practically wore out that copy by the time I was twelve. I always felt so clever getting it from the library—surely the librarians had no clue what this was really about!
Re-reading it as an adult, first in 2020 while taking Judy Blume's MasterClass, and again in July 2025 in anticipation of watching the Netflix adaptation, was both nostalgic and surprisingly fresh.
Honestly? It holds up. Even more than that—I love it more now, reading it as a grown woman and a parent. There's something powerful about how Blume writes a teenage love story with such clarity and compassion. It's tender, it's honest, and it doesn't moralize. Kath and Michael fall in love. They have sex. They break up. No one gets pregnant. No one dies. And life goes on.
I can remember countless (dated) books of teens having sex and having a baby, being forced to marry, etc. (Thinking of you, Mr and Mrs Bo Jo Jones.) While I do think it's important for teens to know possible consequences, I don't think only focusing on those negative outcomes in stories helps anyone. For that, Forever... was—and still is—refreshing. It allows its main character to explore sex and heartbreak without shame. That message felt radical when I was young, and it still feels rare today.
I watched the Netflix adaptation after re-reading the book, and while it stays emotionally true to the original, it definitely updates and reshapes the story for a 2025 audience.
What Stayed the Same:
Michael's signature mole on his cheek is still there (thank you, casting!). That's one thing that I remembered from the book over all these years, even before re-reading.
The cozy New Year's Eve party and fondue scene made it into the show and felt like a direct lift from the book—nostalgic and warm.
What Changed:
In the book, Kath and Michael meet for the first time at the party, but in the show, Keisha and Justin already know each other from childhood.
They kiss on New Year's Eve in the show, which speeds up the emotional stakes right away.
The show's version of Keisha is more experienced and confident, sexually and socially.
Justin's family is portrayed as more emotionally stable and warm compared to the book, where Michael's parents are pretty absent, but his sister and brother-in-law are somewhat involved.
The story is much more modern, with FaceTime calls, ADHD references, and other contemporary updates.
Their relationship gets physical more quickly than in the novel, a nod to how teen relationships have changed (or how they're perceived to have changed) over the decades.
The show is a solid reimagining, but the book still holds a sacred place for me. It captures something timeless about first love—that intoxicating mix of intensity, idealism, and eventual unraveling. And it does so with respect for young people's intelligence and emotional depth. Even re-reading it as an adult, I was blown away by how the book captures those feelings and then, at the end, allows room for heartbreak, acceptance of change, and new beginnings, all at once.
Check out this article where Mara Brock Akil, the producer, shares a lot of her thoughts about the book and also insight into the show's creation. Watch the show for a contemporary spin, but definitely read—or re-read—the book for its quiet, enduring power. Because Forever... is a solid story about growing up, letting go, and realizing that the end of a relationship isn't the end of you.
Friday, July 18, 2025
Last Survivors Series by Susan Beth Pfeffer
Life As We Knew It by Susan Beth Pfeffer.
2025 review: This was a re-read for me, but I’ve thought of the series so often since I read it in April 2016. When the author recently died, I knew it was time to read it again! I loved this first book so much. It’s wild to me that I originally read it before Covid, and now we’ve been through that and are possibly on the cusp of who knows what in the world… so it was really interesting to re-read it through that lens of what we’ve been through and what’s right around the corner.
The Dead and the Gone by Susan Beth Pfeffer.
2025 review: I’d previously read this series so I had vague memories of book two, but it really took me aback on a re-read for it to be a totally different set of characters in a totally different place, but experiencing the same time period. Once I got into it, I appreciated the drastically different interpretation of what happened, and it was well-written in terms of what happened to these characters, but I still think it’s an interesting choice that the writer used the same time period for a second book, even knowing that they’d come together at a later time in the third book. I guess it was easier to write a full second book about the different characters instead of trying to cram all the backstory into the book where he meets Miranda.
This World We Live In by Susan Beth Pfeffer.
2025 review: I liked how this one brought together the characters from the first two, and while I didn’t care for how religious the second book was, at least it fit the characters. It seemed like everyone was forcibly religious in this book, even though Miranda and her family didn’t seem that way in the first. Not a big deal, maybe just passage of time and the author’s views changing so she put them in the book more? Either way, I think this was a really logical next step for the series.
The Shade of the Moon by Susan Beth Pfeffer.
2016 review: This book was really slow, and I didn’t feel anything for the characters. Overall it was a pretty satisfying ending to the Life As We Knew It series, as long as it’s the last one. I don’t think much more can be written about this without it being overkill. I kind of wish the series had ended with the third.
Friday, June 27, 2025
Divergent Series by Veronica Roth
Wednesday, June 18, 2025
Once Upon a Con Series by Ashley Poston
Saturday, June 7, 2025
Skellig by David Almond
Monday, February 24, 2025
The Babysitters Coven by Kate Williams
Friday, November 22, 2024
Places I Never Meant to Be: Original Stories by Censored Writers edited by Judy Blume
Tuesday, November 12, 2024
No Filter and Other Lies by Crystal Maldonado
Tuesday, October 22, 2024
Well, That Was Awkward by Rachel Vail
Well, That Was Awkward by Rachel Vail
Anyway! I saw this in the YA section at the library and needed it! I was so happy to still get sucked into Vail’s awkward yet witty world. The characters were in middle school though, so I think it’s more middle grade than young adult. I read it in a day, loving the witty banter and the sweet twist at the end.
Beyond that, though, Vail absolutely killed the family vibes with this story. The dead older sister wasn’t too heavy for the book (I know, that sentence alone makes it seem like it would be!); it was handled well and came up at the right moments. I was absolutely bawling at the end, for both the parents and Gracie. SO well written.
Sunday, September 29, 2024
Celebrating Historical Mystery Day with Robin Stevens's Murder Most Unladylike Series
September 29th is Historical Mystery Day!
Launched in 2021 by author Sara Rosett, this day celebrates a blend of history and detective work, allowing readers to visit the past while solving mysteries. I typically read contemporary cozies, but lately, I've been reading a series that fits perfectly into today's celebration: Robin Stevens's Murder Most Unladylike series.
Set in the 1930s, Robin Stevens's Murder Most Unladylike series offers period detail, sharp wit, and gripping mystery. The series follows Daisy Wells and Hazel Wong, two students at Deepdean School for Girls, as they navigate their daily school lives while solving murders on the side. The duo's detective skills, combined with their unique personalities, draw readers in - both middle-grade and young adult readers as well as adults (clearly!).
In Murder Most Unladylike (Murder is Bad Manners in the USA), the first book in the series, Hazel discovers the body of her science teacher—but when the body mysteriously disappears, Hazel and Daisy have to investigate on their own. This premise sets the tone for the rest of the series, where Stevens expertly weaves mystery elements with historical authenticity. The setting—an English boarding school in the 1930s—adds an extra layer of intrigue, as it's the golden age of detective fiction.
The second book, Arsenic for Tea (UK)/Poison is Not Polite (USA), takes place at Daisy's estate during a spring school break, bringing the murder and the suspects much closer to home, which is uncomfortable for everyone involved. The third book, First Class Murder (both UK and USA it seems), is set on the Orient Express when Hazel's father treats her and Daisy on a trip around Europe during the summer school break. I love that the setting is different in each book, though many of the same characters appear.
(Sadly, my library only has these three, so until I invest in the whole series, I can only talk about these.)
Robin Stevens's work is a fantastic example of how historical mysteries can appeal to younger audiences while still maintaining the genre's core elements. Much like the adult classics of Agatha Christie, Stevens' series mixes clever sleuthing, red herrings, and intricate plots, all set within a well-researched historical backdrop. Each book in the series immerses readers in 1930s England, where social class, gender roles, and the limits imposed on young girls are all explored realistically.
Along with a cup of tea and my favorite cozy reading spot, finishing the third book in the Murder Most Unladylike series is how I'm honoring the spirit of the day. If you've never read the series, Historical Mystery Day is the perfect excuse to start! Please recommend some other historical mystery novels in the comments - I'd love to read more!
Tuesday, July 2, 2024
The Rules for Disappearing by Ashley Elston
The Rules for Disappearing by Ashley Elston
Overview
She’s been a different person in each of the six places she’s lived: Madeline in Ohio, Isabelle in Missouri, Olivia in Kentucky... But now, in rural Louisiana, she’s decided this fake identity will be her last.
Witness Protection has taken almost everything from her. For now, they’ve given her a new name, Megan Rose Jones, and a terrible hair color. For the past eight months, Meg has been begging her dad to explain: What did he do – or see – that got them into this mess? She’s had it with all the Suits' rules and her dad’s silence. If he won’t help, she’ll have to find out on her own.
But Meg didn’t count on Ethan Landry, a cute and clever Louisiana farm boy. He knows Meg is hiding something big, and it could get them both killed. As they set out on a risky journey to free her family once and for all, Meg discovers that survival is the only rule that really matters.
My Thoughts
I wanted to read Elston’s YA books after reading her adult thriller. I love the premise of this one but felt like it was very hot and cold - a lot of mystery and then laying out the facts in one fell swoop that seemed a bit unnatural. But I was intrigued and wanted to finish the book, which is always a good sign compared to DNFs! Plus, I LOVE the cliffhanger and want to get my hands on the sequel.
Saturday, February 3, 2024
Young Adult Books by Black Writers for Black History Month
I wanted to kick-off Black History month by spotlighting some of my favorite young adult books by Black authors.
The Track Series by Jason Reynolds:
Ghost, Patina, Sunny, Lu
I’m so sad to end the Track series, so it seemed appropriate that I cried through the last few pages. This book was so good, and the whole series is so good. I love how the characters had truly unique voices and situations and experiences. I recommend this to anyone and everyone.
All American Boys by Jason Reynolds and Brendan Kiely
Take the Mic: Fictional Stories of Everyday Resistance
Love Radio by Ebony LaDelle
Punching the Air by Ibi Zoboi and Yusef Salaam
Piecing Me Together by Renee Watson
How It Went Down and Light It Up by Kekla Magoon
Reread 2020: I read this book two and a half years ago and thought about it so often that I knew it was time to re-read it. It’s sadly still relevant, telling an all too familiar story of a young black man being killed by a white man who gets off unscathed. The most fascinating thing about this book is how it’s told - so many different characters who saw what happened and/or knew the main players are telling what they saw and what they know. Which, of course, is a whole bunch of conflicting information. I can’t say enough good things about this book, I’m just pushing you to read it yourself. And let’s talk about it.
I loved How It Went Down for how concise it was in telling the same story from the points of view of a whole neighborhood. The sequel, Light It Up, tells a story about another shooting incident that is too timely - a cop somehow finds a 13yo Black girl a threat and shoots her in the back. This takes place in the same neighborhood as Tariq’s shooting, so the same characters are back. It’s nice to see what they’ve been up to, and I love how this book delves a bit more into their lives.
The Hate U Give by Angie Thomas
Concrete Rose by Angie Thomas
On the Come Up by Angie Thomas
Silhouetted by the Blue by Traci L. Jones
Odd One Out by Nic Stone
Jackpot by Nic Stone
Dear Martin and Dear Justyce by Nic Stone
I had to re-read this one so I’d be in the right frame of mind to read Dear Justyce. I think I loved it even more the second time around, though maybe that was due to the current climate? I’ve also been reading more Nic Stone books since I first read this one, and I absolutely LOVE her writing style. Her characters are always so realistic, which makes it a more emotional book than you might be expecting.