Atmosphere by Taylor Jenkins Reid

Atmosphere by Taylor Jenkins Reid

I've read everything by Taylor Jenkins Reid and always love her characters more than anything else. I feel like she dives so deep into these characters they become real people. And that was certainly true here. Even the side characters felt like real friends now hovering at the edges of my social circle.

I started reading this one in the library as soon as my hold came in and finished it the next day. I love Reid’s approach to humans and connections and thought this was really well done. The astronaut aspect was interesting to me but I’m not big into space so if there were any issues there, I didn’t notice - I was here for the relationships. And she does them so well, and makes them feel so complete. Even though the story covers a lot of time, I felt like there were enough details to make it feel like a satisfying, complete story I could get invested in. 

Light spoilers ahead...

Celebrating Historical Mystery Day with Robin Stevens's Murder Most Unladylike Series

September 29th is Historical Mystery Day! 

Launched in 2021 by author Sara Rosett, this day celebrates a blend of history and detective work, allowing readers to visit the past while solving mysteries. I typically read contemporary cozies, but lately, I've been reading a series that fits perfectly into today's celebration: Robin Stevens's Murder Most Unladylike series.

Set in the 1930s, Robin Stevens's Murder Most Unladylike series offers period detail, sharp wit, and gripping mystery. The series follows Daisy Wells and Hazel Wong, two students at Deepdean School for Girls, as they navigate their daily school lives while solving murders on the side. The duo's detective skills, combined with their unique personalities, draw readers in - both middle-grade and young adult readers as well as adults (clearly!).

In Murder Most Unladylike (Murder is Bad Manners in the USA), the first book in the series, Hazel discovers the body of her science teacher—but when the body mysteriously disappears, Hazel and Daisy have to investigate on their own. This premise sets the tone for the rest of the series, where Stevens expertly weaves mystery elements with historical authenticity. The setting—an English boarding school in the 1930s—adds an extra layer of intrigue, as it's the golden age of detective fiction.

The second book, Arsenic for Tea (UK)/Poison is Not Polite (USA), takes place at Daisy's estate during a spring school break, bringing the murder and the suspects much closer to home, which is uncomfortable for everyone involved. The third book, First Class Murder (both UK and USA it seems), is set on the Orient Express when Hazel's father treats her and Daisy on a trip around Europe during the summer school break. I love that the setting is different in each book, though many of the same characters appear.

(Sadly, my library only has these three, so until I invest in the whole series, I can only talk about these.)

Robin Stevens's work is a fantastic example of how historical mysteries can appeal to younger audiences while still maintaining the genre's core elements. Much like the adult classics of Agatha Christie, Stevens' series mixes clever sleuthing, red herrings, and intricate plots, all set within a well-researched historical backdrop. Each book in the series immerses readers in 1930s England, where social class, gender roles, and the limits imposed on young girls are all explored realistically.

Along with a cup of tea and my favorite cozy reading spot, finishing the third book in the Murder Most Unladylike series is how I'm honoring the spirit of the day. If you've never read the series, Historical Mystery Day is the perfect excuse to start! Please recommend some other historical mystery novels in the comments - I'd love to read more!

COVER REVEAL: Leah Angstman's OUT FRONT THE FOLLOWING SEA

I’m thrilled to be participating in the cover reveal for Leah Angstman’s debut novel, OUT FRONT THE FOLLOWING SEA, coming January 2022 from Regal House Publishing.

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OUT FRONT THE FOLLOWING SEA:
A Novel of King William’s War in 17th-Century New England
BY LEAH ANGSTMAN

Publication Date: January 11, 2022
Regal House Publishing
Hardcover, Paperback, eBook, Audiobook; 334 pages

Genre: Historical / Literary / Epic

**Shortlisted for the Chaucer Book Award**

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OUT FRONT THE FOLLOWING SEA is a historical epic of one woman’s survival in a time when the wilderness is still wild, heresy is publicly punishable, and being independent is worse than scorned—it is a death sentence.

At the onset of King William’s War between French and English settlers in 1689 New England, Ruth Miner is accused of witchcraft for the murder of her parents and must flee the brutality of her town. She stows away on the ship of the only other person who knows her innocence: an audacious sailor — Owen — bound to her by years of attraction, friendship, and shared secrets. But when Owen’s French ancestry finds him at odds with a violent English commander, the turmoil becomes life-or-death for the sailor, the headstrong Ruth, and the cast of Quakers, Pequot Indians, soldiers, highwaymen, and townsfolk dragged into the fray. Now Ruth must choose between sending Owen to the gallows or keeping her own neck from the noose.

Steeped in historical events and culminating in a little-known war on pre-American soil, OUT FRONT THE FOLLOWING SEA is a story of early feminism, misogyny, arbitrary rulings, persecution, and the treatment of outcasts, with parallels still mirrored and echoed in today’s society. The debut novel will appeal to readers of Paulette Jiles, Alexander Chee, Hilary Mantel, James Clavell, Bernard Cornwell, TaraShea Nesbit, Geraldine Brooks, Stephanie Dray, Patrick O’Brian, and E. L. Doctorow.

AVAILABLE FOR PREORDER
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Praise

“With OUT FRONT THE FOLLOWING SEA, Leah Angstman reveals herself as a brave new voice in historical fiction. With staggering authenticity, Angstman gives us a story of America before it was America — an era rife with witch hunts and colonial intrigue and New World battles all but forgotten in our history books and popular culture. This is historical fiction that speaks to the present, recalling the bold spirits and cultural upheavals of a nation yet to be born.”
—Taylor Brown, author of PRIDE OF EDEN, GODS OF HOWL MOUNTAIN, and THE RIVER OF KINGS

“Steeped in lush prose, authentic period detail, and edge-of-your-seat action, OUT FRONT THE FOLLOWING SEA is a rollicking good read. Leah Angstman keeps the story moving at a breathtaking pace, and she knows more 17th-century seafaring language and items of everyday use than you can shake a stick at. The result is a compelling work of romance, adventure, and historical illumination that pulls the reader straight in.”
—Rilla Askew, author of FIRE IN BEULAH, THE MERCY SEAT, and KIND OF KIN

“Lapidary in its research and lively in its voice, OUT FRONT THE FOLLOWING SEA by Leah Angstman is a rollicking story, racing along with wind in its sails. Though her tale unfolds hundreds of years in America’s past, Ruth Miner is the kind of high-spirited heroine whose high adventures haul you in and hold you fast.”
—Kathleen Rooney, author of LILLIAN BOXFISH TAKES A WALK and CHER AMI AND MAJOR WHITTLESEY

“Leah Angstman has written the historical novel that I didn’t know I needed to read. OUT FRONT THE FOLLOWING SEA is set in an oft-forgotten time in the brutal wilds of pre-America that is so vividly and authentically drawn, with characters that are so alive and relevant, and a narrative so masterfully paced and plotted, that Angstman has performed the miracle of layering the tumultuous past over our troubled present to gift us a sparkling new reality.”
—Kevin Catalano, author of WHERE THE SUN SHINES OUT and DELETED SCENES AND OTHER STORIES

“OUT FRONT THE FOLLOWING SEA is a fascinating book, the kind of historical novel that evokes its time and place so vividly that the effect is just shy of hallucinogenic. I enjoyed it immensely.”
—Scott Phillips, author of THE ICE HARVEST, THE WALKAWAY, COTTONWOOD, and HOP ALLEY

“OUT FRONT THE FOLLOWING SEA is a meticulously researched novel that mixes history, love story, and suspense. Watching Angstman’s willful protagonist, Ruth Miner, openly challenge the brutal world of 17th-century New England, with its limiting ideas about gender, race, and science, was a delight.”
—Aline Ohanesian, author of ORHAN’S INHERITANCE

“Leah Angstman is a gifted storyteller with a poet’s sense of both beauty and darkness, and her stunning historical novel, OUT FRONT THE FOLLOWING SEA, establishes her as one of the most exciting young novelists in the country. Angstman plunges the reader into a brilliantly realized historical milieu peopled by characters real enough to touch. And in Ruth Miner, we are introduced to one of the most compelling protagonists in contemporary literature, a penetratingly intelligent, headstrong woman who is trying to survive on her wits alone in a Colonial America that you won’t find in the history books. A compulsive, vivid read that will change the way you look at the origins of our country, Leah Angstman’s OUT FRONT THE FOLLOWING SEA announces the arrival of a preternatural talent.”
—Ashley Shelby, author of MURI and SOUTH POLE STATION

“Rich, lyrical, and atmospheric, with a poet’s hand and a historian’s attention to detail. In OUT FRONT THE FOLLOWING SEA, Leah Angstman creates an immersive world for readers to get lost in and a fascinating story to propel them through it. A thoroughly engaging and compelling tale.”
—Steph Post, author of HOLDING SMOKE, MIRACULUM, and WALK IN THE FIRE

“It’s a rare story that makes you thankful for having read and experienced it. It’s rarer still for a story to evoke so wholly, so powerfully, another place and time as to make you thankful for the gifts that exist around you, which you take for granted. OUT FRONT THE FOLLOWING SEA is a book rich with misery, yet its characters are indefatigable; they yearn, despite their troubles, for victories personal and societal. Leah Angstman’s eye is keen, and her ability to transport you into America’s beginnings is powerful. With the raw ingredients of history, she creates a story both dashing and pensive, robust yet believable. From an unforgiving time, Angstman draws out a tale of all things inhuman, but one that reminds us of that which is best in all of us.”
—Eric Shonkwiler, author of ABOVE ALL MEN and 8TH STREET POWER AND LIGHT

About the Author

Leah Angstman is a historian and transplanted Michigander living in Boulder. OUT FRONT THE FOLLOWING SEA, her debut novel of King William’s War in 17th-century New England, is forthcoming from Regal House in January 2022. Her writing has been a finalist for the Saluda River Prize, Cowles Book Prize, Able Muse Book Award, Bevel Summers Fiction Prize, and Chaucer Book Award, and has appeared in Publishers Weekly, L.A. Review of Books, Nashville Review, Slice, and elsewhere. She serves as editor-in-chief for Alternating Current and The Coil magazine and copyeditor for Underscore News, which has included editing partnerships with ProPublica. She is an appointed vice chair of a Colorado historical commission and liaison to a Colorado historic preservation committee.

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Stealing Mt Rushmore by Daphne Kalmar

Stealing Mt Rushmore by Daphne Kalmar is out now! Thanks to @kidlitexchange, @daphnekalmar, and #feiwelandfriends for the ARC.

Nell's dad is fascinated by Mt Rushmore; he even wanted to name his children George, Thomas, Teddy, and Abe. But after Tom came a girl, who was named after Susan B. Anthony, called Nell for short. So her dad never got his Abe, but he's determined to take the whole family to see Mt Rushmore in person. When he goes to find his stash of vacation cash, he realizes it has been stolen... kinda. Nell's mom took it when she left the family that spring. Nell has been struggling with how her family seems to be falling apart, but having the trip taken from them is the straw that broke the camel's back. Nell is determined to earn money so the family can go on the trip, even if she can't track down her mom.

I loved reading about Nell as she adjusted to everyone around her changing. Her friend Maya is becoming interested in boys, which makes Nell think of her as an alien. The family dynamics in this book are so powerful, especially with the historical context of being set in 1974. Many chapters begin with actual headlines from a Boston newspaper in July 1974, so I love that this can be paired with history/social studies/political lessons in the classroom or library.

We Dream of Space by Erin Entrada Kelly

We Dream of Space by Erin Entrada Kelly releases May 5, 2020. Thanks to @kidlitexchange and @greenwillowbooks for providing a review copy.

Bird loves outer space and dreams of being NASA’s first female shuttle commander. She’s totally obsessed with the upcoming Challenger launch, and all the lessons her science teacher is using to get the class involved. Fitch, her twin brother, would rather play video games. Cash is the twins’ older brother, who failed and is in their grade, and is also in danger of failing again.

All three siblings and their parents are realistic and compelling characters, and the Challenger launch provides an interesting and suspenseful plot point in this beautiful, emotional story about family, friendship, and the difference between dreams and reality.

Best Adult Fiction Read in 2016

I would say I typically read more young adult fiction than adult fiction, and the adult fiction I do read is mostly suspense and psychological thrillers. Surprisingly, the top 5 adult fiction books I picked for the year are pretty different across the board.

In order from most recently published to oldest:

Good as Gone by Amy Gentry (2016). Julie was kidnapped from her house when she was 13, but the circumstances were very suspicious. She was never found, but suddenly appeared on her parents’ doorstep eight years later. Except several people don’t believe that this is the real Julie, and they have evidence. This book jumped around between points of view, seemed to introduce random characters, and basically did a great job at making sure you didn’t know what to believe as truth. It was very well done and very interesting to read.

Paris for One by Jojo Moyes (2016). I love Jojo Moyes' characters because they're so well-developed, so realistic, and so... cozy. The title novella is great to immerse yourself in, and the following short stories are pretty quick, with interesting twists and some surprise endings. I read it in one sitting and loved it.

The Invention of Wings by Sue Monk Kidd (2014). I read this because it was one of Oprah’s Book Club picks and I needed it for my Pop Sugar Reading Challenge. I was SO glad I picked this one, because it was amazing. I’ve read Sue Monk Kidd before and loved it, and this one was no exception. It is based on historical figure Sarah Grimke and how she fought for slaves’ and women’s rights. The narrative was told from her point of view, as well as the point of view of Handful, a slave the Grimke family owned. I’m usually not into historical fiction but this way beautifully done and inspired further research on my part.

Someday Someday Maybe by Lauren Graham (2013). I love Lauren Graham, mostly as Lorelai Gilmore, so I was worried I was going to imagine that character as the narrator in this book. Luckily the story is about Franny trying to make it as an actress in New York, and she’s silly and funny, so imagining Lauren Graham as the character totally fit. I love reading about people trying to make it as actors, so I loved this book. The overall resolution was a little obvious, but there were nods throughout the book that Graham knew what was going on, so it seemed a little less hokey. The ending itself was very well-written. I’d love to read more from her.

Ready Player One by Ernest Cline (2011).  I loved this book! It was recommended to me by a friend who said I’d like it even though I don’t like sci-fi. To clarify, I don’t like hard sci-fi. I like things that seem like they could happen, like dystopia and robots and establishing human life on other planets. This book was amazing because it could be read as a statement on the direction society is headed - so much is done online, not face-to-face. Life seems so great on Facebook but it’s not in reality, etc.

Wade basically lives in the OASIS, an online world that’s better than the real world, especially considering that, in the real world, people live in trailers stacked on top of each other. He squats in an abandoned van to log in to the OASIS and become Parzival, an avatar who is still in high school, but is searching for the egg the OASIS creator left encoded in the game before he died. I don’t want to give too much away, but this book totally sucked me in, and I already want to re-read it! I recommend it to everyone, especially people who don’t like sci-fi, because it will blow you away. With the movie version being released in 2018, you might as well read it now so you can see it when it comes out! If the adaptation is well done, I think the movie could be just as great as the book.

Midwinterblood

Plot Summary
Blessed is a Scandinavian island where no children are born and people don't age. The year is 2073 and Eric Seven, a reporter, is sent to write a story about the island. Little is known about the land and its inhabitants, which Eric figures is because the island is off the grid, technologically. He finds this out when he arrives and his phone has no signal. But someone still steals his phone charger, and Eric learns the island isn't as friendly as he first thought. Yet he feels comfortable here, and is drawn to a young woman named Merle. He feels like he already knows her, though she's a stranger. Eric is on the verge of discovery when the story ends and the next takes us back to 2011, then 1944, then 1902, 1848, the 10th century, and a timeless period.

Critical Analysis
It is hard to write about Midwinterblood without giving away much of the story, which is actually a great problem to have. It's one of those books that can be recommended to teens by saying "You've got to read this!" That being said, it doesn't seem like a typical young adult book. It's very unique in subject matter and the way it's told, but it doesn't seem expressly written for teens. The subject matter is gruesome in several stories, and none of the major characters are teenagers. The writing style is not too juvenile for adults, but isn't laden with slang or otherwise aimed at teens. Still, it seems like a book that will rarely be on the shelves due to its popularity. Teens will be drawn to the mash-up of historical fiction and supernatural elements. Since the book won the Printz Award in 2014, it is destined to become a classic.
     Sedgwick's seven short stories are tied together with common characters and common themes of love and sacrifice. Each story is written in present tense, drawing in the reader and keeping them in suspense until the final story is told and all the plots are woven together. Until the entire book is finished, some stories, and parts of stories, can be quite confusing. Though this is a short story collection, it's not an easy book to breeze through. Because of the imagery and how much thought it takes to put it all together, this book should be recommended to older teens or those at an advanced reading level.

Related Activities
Midwinterblood is a book that will make you think. It stays with you long after you close the cover, and has your imagination working overtime. Capitalize on this inspiration by hosting a writing workshop. Teens can write their own short story collection in seven stage.
1. Love. Write a love story, but don't be constrained by what is typically thought of as a love story. Write about familial love: that of a mother for her daughter, or between siblings. Write about platonic love one feels for friends and neighbors. Explore romantic love, or the love one feels for the gods of their religion.
2. Moons. Each story in the book is named after the type of moon that occurs during that time of year. Look up different moons and see what they represent. Pick one that inspires you and write a story about it, or set during that time of year, or make up a fable about how it got its name. Find moons by the month here.
     Full Moon Names and Meanings. Moonconnection.com, 2015. Web. 1 Jul. 2015.
3. Reincarnation. Eric and Merle appear throughout the book as different people in different times. What do the teens at your library think of reincarnation? Do they feel like they've lived before? Have they ever gotten a sense of deja vu? Have them write a story about a character who is living a second or third life, or even an essay about what the teen might have been like in a previous life.
4. Historical Times. Piggy-backing off the idea of reincarnation is simply setting a story in a historical time. Teens can pick a time period, research it, and write as if they or their characters lived during that time, or they can create a mash-up. A mash-up is when two different genres are combined; for example, teens can write a romantic story or a science fiction story set in a historical time period.
5. Symbolism. Things aren't always what they seem! Midwinterblood has a lot of symbolism in every story, like the hares, the dragon orchids, the moons, the bonds of love, and more. Have teens write a story where symbolism plays a big part in the plot. Effective symbolism should add depth to stories, not just be extra elements included without reason.
6. Works of Art. Midwinterblood is based on a painting by Carl Larsson entitled "Midvinterblot". Show teens this painting so they can see how it relates to the book. Have them page through coffee table books of artwork until they find a piece that speaks to them. Have them write a story influenced by the art, or about how it was created, or about what is depicted in the art.
7. Sacrifice. This is a major theme in all seven stories. Have teens write about what they would sacrifice to save something, or what has been sacrificed for them. To further the Midwinterblood theme, challenge them to include characters they used in an earlier story, if they haven't been doing that all along.

Resources
Short story collections written specifically for teens seem to be overlooked in favor of more attention-grabbing novels. Spotlight these great books that will open teens' eyes to short fiction, and might inspire them to write their own - beyond the Midwinterblood Writing Workshop!
Black, Holly, and Justine Larbalestier, eds. Zombies vs. Unicorns. New York: Margaret K.
     McElderry Books, 2012. Print.
Datlow, Ellen, and Terri Windling, eds. After: Nineteen Stories of Apocalypse and Dystopia. New
     York: Disney-Hyperion, 2013. Print.
Link, Kelly, ed. Pretty Monsters. New York: Speak, 2010. Print.
Strahan, Jonathan, ed. Life on Mars: Tales from the New Frontier. New York: Viking Books for
     Young Readers, 2011. Print.

Professional Review
Silverman, Karen. "Midwinterblood." School Library Journal. 9 Dec. 2013. Web. 11 Jul. 2015.

Read it for yourself!
Sedgwick, Marcus. Midwinterblood. New York: Roaring Brook Press, 2013. Print.

Dead End in Norvelt

Listening to the audiobook on my phone, thanks to Overdrive via the Memphis Library
Plot Summary
In this semi-autobiographical, historical novel, Jack Gantos invites the reader to get into mischief all summer long… except there’s a hitch: Jack gets “grounded for life” by his mother! When an elderly neighbor needs his help typing obituaries, Jack’s mother releases him from his room to do a good deed. This good deed is more fun than Jack expected it to be, and he spends the summer learning to drive a car instead of a tractor, learn local history, and investigate deaths that make his nose bleed uncontrollably!

Critical Analysis
     Character.
Jack Gantos is a fantastic narrator - both as a character in the story, and for the audiobook! His audible and written voice brings the past to life, inviting us to explore small town life in the summer of 1962. He gets into a lot of trouble because he loves reading - and reenacting! - history, instead of focusing on the present.

     Plot.
This book is a fun mix of crazy fictional adventures and genuine history. It will probably be hard for children to tell what is true and what isn’t, because it was hard for me! But it is a fun, engaging story, and you learn history without realizing it. Gantos gives just enough information to draw the reader in, but stops short of making it seem like a history lesson. Since it’s such an easy, light-hearted book (despite all the blood!), readers will more than likely be curious enough about the history mentioned to research on their own!

     Setting.
There’s something about a small town that seems timeless, and Norvelt, Pennsylvania is a small town. It’s great to hear how young Jack goes from driving a tractor, to driving a car, to decently driving a car in such a short span - only in a small town! Learning about how Norvelt was founded, and what values it was founded on, helps readers better envision the town, the citizens that inhabit it, and the era when all of this occurred.

     Theme.
A boy getting in enough trouble to be “grounded for life” is the most timeless theme I can think of! Jack’s curiosity about history and the world around around him will certainly inspire contemporary readers to explore their own lives for story, and will more than likely inspire some historical research along the way.

     Style.
This is a fun read, and it only helped things seem more cheerful (even with all the death!) to have the author reading it himself. The story was told the way you would share life stories with friends and family, and hearing the author use timely slang like “cheese-us-crust” only makes the audiobook experience more enjoyable.

Personal Response
I can sit and read for hours without moving, but I have a tough time focusing on audiobooks. Some of the tangents Jack goes off on in the book lost me in the audio format. It seemed like at least once a chapter he would go into great detail about a history book he was reading, or flashback to a previous event. These scenes might have only been a paragraph or two in the physical book, but in the audio book, they were a section where my mind would run off in its own direction. Overall, I feel like the story stuck with me more hearing the author tell it in his own voice, because I could hear the enthusiasm and playfulness of his true self come through in his characters.

Reviews & Awards
Dead End in Norvelt won a Newbery Medal and the Scott O’Dell Award for Historical Fiction. Jon Scieszka, a humorous children’s author, implores readers to pick up the book: “Nobody can tell a story like Jack Gantos can. And this is a story like no other. It’s funny. It’s thoughtful. It’s history. It’s weird. But you don’t need me to attempt to describe it. Get in there and start reading Gantos.” If that’s not endorsement enough, Horn Book gave it a starred review: “There’s more than laugh-out-loud gothic comedy here. This is a richly layered semi-autobiographical tale, an ode to a time and place, to history and the power of reading.”

Connections & Activities
Jack Gantos doesn’t let his Norvelt adventures end here! Students can read more in From Norvelt to Nowhere, ISBN 9780374379940. Note: this audiobook is also narrated by the author! I highly recommend listening to Gantos tell his story.

Read it for yourself!
Gantos, Jack. 2011. Dead End in Norvelt. Narrated by the author. New York: Farrar, Straus and Giroux. Audiobook.

The Midwife's Apprentice

Fun fact: my son was delivered at home by a midwife!
Plot Summary Brat sleeps in a pile of dung in the middle of a village in England. She doesn’t have family, education, or a way to make a living for herself. So when Jane the Midwife finds Brat, the girl goes with her willingly. Her mentor is not kind, but provides a place to live, meager meals, and the chance to learn a trade. In the fourteenth century, midwifery is a profession in high demand - wherever women were having babies, midwives were needed. Newly named Beetle attends births with Jane the Midwife, but has to stay outside because the midwife wants no competition. Beetle, however, is a clever girl, and peeks through windows to watch the midwife work her magic. But when it’s up to Beetle to deliver a baby by herself, will she be able to?

Critical Analysis      Characters.
Initially, Brat is hard to relate to. She lives in a vastly different time period, and has grown up differently than most people are familiar with. As the story goes on, and as her name changes, the reader becomes more involved with Beetle’s life and dreams. She wants to belong, to be cared for, to have a name. More specifically, she wants “a full belly, a contented heart, and a place in this world” (81) - something everyone can identify with.

     Plot.
You don’t have to be a history buff to know that Cushman has done her research. She presents this story in an era where midwives were a necessity, and class didn’t matter - whether you could pay in gold, or pay in potatoes, you would be treated the same by the matter-of-fact midwife. The subject matter is presented very honestly, and might be better for older children who have an understanding of childbirth and hardships.

     Setting.
The setting was described very vividly. Readers will have no problem envisioning the poor village where Beetle learns her trade, from the dung pile where she once slept, to the somewhat-isolated inn where she works.

     Theme.
The overarching theme of this book is that every person has value. Beetle grew up poor and homeless, unable to care for herself, and that turns around completely by the end of the book. However, realizing she can be a midwife even if she has previously failed should a major turning point, but the most important part seems to be that Beetle is pretty underneath all the dirt. That theme is relevant today, of course, but I would have expected something more revolutionary from a historical book that tackles such a unique topic.

     Style.
The language is a bit stilted, and might be hard for children to read on their own, or even understand when read aloud. It doesn’t hinder the story since it seems historically accurate, but it might prevent readers from diving right in to the book.

Personal Response It was hard for me to get in this book. Part of me is still childish, judging books by their covers; this one doesn’t look too inviting. I read beyond my age level as a child, but it surprised me that this book is recommended for ages 8-12. (Though some reviews do specify ages 12 and up.) Even though I had a home birth attended by a midwife, I didn’t feel connected to this story until it started to turn around. The first two-thirds of the book were dark, and I felt like I could have easily put it down without wondering what happened to Beetle in the end. That being said, I’m glad I didn’t!

Reviews & Awards This book won the Newbery Medal, and is an ALA Best Book for Young Adults, ALA Notable Book for Children, Booklist Editor’s Choice, Horn Book Fanfare Selection, Parents’ Choice Gold Award, and more. School Library Journal illuminates the book’s place perfectly: “Earthy humor, the foibles of humans both high and low, and a fascinating mix of superstition and genuinely helpful herbal remedies attached to childbirth make this a truly delightful introduction to a world seldom seen in children's literature.”

Connections & Activities Karen Cushman has a lifelong interest in history, but rather than focusing on royalty and notables, she prefers to imagine what ordinary life was like for ordinary people in the past. Read more of her work:
     Catherine, Called Birdy, ISBN 9780547722184
     The Ballad of Lucy Whipple, ISBN 9780547722153
     Matilda Bone, ISBN 9780440418221
     Will Sparrow’s Road, ISBN 9780544336322
     Alchemy and Meggy Swann, ISBN 9780547577128

Read it for yourself! Cushman, Karen. 1995. The Midwife’s Apprentice. New York: Clarion Books. ISBN 9780395692295

Turtle in Paradise

Plot Summary
Turtle and her mother barely make ends meet. They dream of owning a mail-order home, instead of getting free room and board in the houses where Mama does chores. When a woman who hires Mama doesn’t want children around, Turtle is shipped off to Key West to stay with her aunt. Turtle spends her days with three boy cousins and a group of their friends, who call themselves Diaper Gang because they babysit the island’s babies. She’s determined to make money to help get a house for her and Mama, and she’ll try anything - from working on a boat, to searching for buried treasure.

Critical Analysis
     Characters.
Turtle is a relatable character - a fun girl with a sharp wit who can dish it out as good as she gets it. As flippant as her comebacks can be, she has a lot of heart, and loves her mother and pet cat more than anything. The boys she eventually befriends are also extremely believable; they act like frustrating young boys until you get under their tough exterior and find their quirks. The adults all act like real people as well, though they play minor roles - the author lets the kids run the show.

     Plot and Setting.
This book feels timeless, like it could be set in any era. The town’s slow pace and sense of community come across as typical island lifestyle, but references to the Great Depression, Ernest Hemingway, and the Labor Day Hurricane pinpoint the year as 1935. The shabbiness is contrasted by the vibrant plant life: “Truth is, the place looks like a broken chair that’s been left out in the sun to rot” (13), but it looks like “Mother Nature is trying to pretty up the place” (14).

     Theme.
Turtle wants a home she and her mother can call their own. She’ll do whatever she can to help make that happen. This was a common aspiration in the aftermath of the Great Depression, and is still relevant today, as our economy struggles to balance after a crash. Regardless of upbringing, books about childhood are universal, inspiring memories of striving to fit in, long days of play, and the possibility of treasure.

     Style.
The carefree tone of the narration fits perfectly with the island lifestyle. The dialect is integrated smoothly so all ages can follow it without tripping over strange sounds; context clues help define any unknown words, and the custom of giving unique nicknames to everyone helps the reader easily slip into the story.

Personal Response
I loved this book; it was easy to read and get sucked in to, and it reminded me of a book I loved as a child: Starring Sally J. Freedman as Herself. It was interesting to read Turtle in Paradise for the first time as an adult because I could relate to all the characters, children and grown-ups, in different ways. It made certain plot points difficult to get caught up in, like hunting for treasure, or stomaching Turtle’s mother’s love life, but did not detract from the story. I would recommend it to children and adults.

Reviews & Awards
Awards include the Newbery Honor, Golden Kite Award, Booklist Editor’s Choice, and Kirkus Reviews Best Children’s Book of 2010, just to name a few! In a starred review, Booklist says “Holm uses family stories as the basis for this tale, part romp, part steely-eyed look at the Depression era. […] Turtle is just the right mixture of knowingness and hope; the plot is a hilarious blend of family dramas seasoned with a dollop of adventure.”

Connections & Activities
It’s fascinating to read about other girls who lived in this era - they are so similar to girls today, yet offer such an expansive worldview, even if the setting is America! Recommend some similar novels:
     When her father commits suicide after losing everything in the Great Depression, Frances lives as a hobo in Nowhere to Call Home by Cynthia DeFelice. ISBN 9780380733064
     Mary Alice leaves Chicago to spend a year with her grandmother in a small Illinois town in A Year Down Yonder by Richard Peck. ISBN 9780803725188
     A drought forces Billie Jo to leave her home in Oklahoma during the Great Depression in Out of the Dust by Karen Hesse. ISBN 9780590371254

Read it for yourself!
Holm, Jennifer L. 2010. Turtle in Paradise. New York: Random House. ISBN 9780375936883