Monthly Round-Up: August 2025

The Business Trip by Jessie Garcia. Interesting premise and kept me turning pages. The twist wasn’t that shocking, but I also didn’t expect it. It almost seemed a bit over the top, but overall I think it worked.

Atmosphere by Taylor Jenkins Reid. I started reading this one in the library as soon as my hold came in and finished it the next day. Full review here.

Not Quite Dead Yet by Holly Jackson. Interesting premise but not my favorite of Jackson’s so far. I feel like the sentence structure got really repetitive and left me skimming a bit because everything felt too in Jet’s head and the thoughts were redundant. Full review here.

Five Survive by Holly Jackson. I think A Good Girl's Guide to Murder might be it for me re: Holly Jackson because I wasn’t impressed by Not Quite Dead Yet or Five Survive. I like the premise of both, and if they were each about 200 pages max, I think they’d be amazing. Full review here.

Woman on the Verge by Kim Hooper. This book had me hooked from the beginning. I love Hooper’s writing style. I picked up on two of the POVs fairly quickly and loved how that worked out. Once the diary came into play, I spent a portion of the book 90% sure Elijah and Nicole were half-siblings. His mom was a feminist professor, her mom left to pursue education… I was actually really interested in how that would play out, so the true resolution was a letdown. It felt like a cop out, like it was all just a dream. I don't think the real cause and "solution" were handled very realistically either. Overall, the writing made this book stand out to me. The way the author addresses caring for aging and dying parents, grief, mothering, mothering a husband, etc. It was all so spot-on and made me feel really understood. I’ll seek out more from her.

The Dime Museum by Joyce Hinnefeld. The Dime Museum is one of those rare collections that somehow manages to feel both expansive and deeply intimate. Each story stands beautifully on its own, yet as the book unfolds, you realize you’re also being drawn into something much larger: an intricate mosaic of intersecting lives. Read the full review here.

The Woman in Cabin 10 by Ruth Ware. Re-read this because I wanted it fresh on my mind as I read the second Lo Blacklock book. It wasn’t as bad as I had started thinking of it over the years (lumping it in with The Girl on the Train) but it didn’t stand out as very interesting, thrilling, or suspenseful to me on a re-read, either.

The Woman in Suite 11 by Ruth Ware. This was better than Cabin 10 in my opinion, but it took about ½ the book to make me think so. The beginning was really slow and I was worried it would just be a strange re-hashing of the first book because the same characters popped back up. Even the overall storyline seemed really similar, but since it focused on the same woman, I guess that can be excused. I wouldn’t re-read it, and I wouldn’t read a third Lo Blacklock book, but it was probably a satisfactory sequel for those who wanted it.

Great Big Beautiful Life by Emily Henry. I’m not a romance reader but I’ve appreciated the escape of Emily Henry books, so I figured I’d read this one and see what it was about. But oh my Taylor Jenkins Reid!! What was this??? Full review here.

The Ghostwriter by Julie Clark. I’ve read three other Julie Clark books and loved them and, as a ghostwriter myself, I was really looking forward to this one. Unfortunately, the best part about it was the design on the page edges. The story was boring and never grabbed me, so it seemed to slog through. The twists were somewhat revealed through other POVs before they had a chance to make a big impact, so the whole book felt rather dull to me. However, one I didn’t like compared to three I really did… I’ll definitely give her next book a chance and hope for the best.

Goodbye, Vitamin by Rachel Khong. This book gave me Shannon Olson and Melissa Bank vibes. Those books that are ambling thoughts, not a truly cohesive narrative, no definite ending, but you're so glad to be along for the ride. This book was especially poignant, with strong emotions relating to family, relationships, aging parents, and just being human. Full review coming soon.

The Westing Game by Ellen Raskin. This was recommended to me after I reviewed the Winston Breen series, which involves figuring out puzzles to solve a larger mystery. I liked the layers of mystery to this book: who was the “wrong” person, who was Barney Northrup really, who was the murderer, then the other mysteries that came up throughout the story. Full review coming soon.

Great Big Beautiful Life by Emily Henry

Great Big Beautiful Life by Emily Henry

I’m not a romance reader but I’ve appreciated the escape of Emily Henry books, so I figured I’d read this one and see what it was about. But oh my Taylor Jenkins Reid!! What was this??? It seriously felt like a poor imitation of The Seven Husbands of Evelyn Hugo with a bit of the reporter aspect (and reveal) of Daisy Jones and the Six thrown in for good measure. And I know Taylor Jenkins Reid isn’t the first or only person to tell a story in interviews or have that type of twist, but the similarities are just really strong and, the nail in the coffin, is that it wasn’t done well. Taylor Jenkins Reid is a master at creating realistic characters you care about, even if they’re awful people. The emotion tethers you to the story. Well, Henry didn’t have that emotion, her characters were flat and boring, and the romance was lukewarm at best. The will-they, won’t-they wasn’t that strong and the side story with Alice’s mother issues seemed tacked on after the fact.

Also, this is incredibly petty, but the title gave me great big beautiful Tr*mp vibes. Why not pick any other title that actually gives you a sense of the story instead of something so general and bland? Oh wait, I guess that does fit the book...

Atmosphere by Taylor Jenkins Reid

Atmosphere by Taylor Jenkins Reid

I've read everything by Taylor Jenkins Reid and always love her characters more than anything else. I feel like she dives so deep into these characters they become real people. And that was certainly true here. Even the side characters felt like real friends now hovering at the edges of my social circle.

I started reading this one in the library as soon as my hold came in and finished it the next day. I love Reid’s approach to humans and connections and thought this was really well done. The astronaut aspect was interesting to me but I’m not big into space so if there were any issues there, I didn’t notice - I was here for the relationships. And she does them so well, and makes them feel so complete. Even though the story covers a lot of time, I felt like there were enough details to make it feel like a satisfying, complete story I could get invested in. 

Light spoilers ahead...

Five Survive by Holly Jackson

Five Survive by Holly Jackson

I think A Good Girl's Guide to Murder (detailed review coming soon - once I finish watching the show!) might be it for me re: Holly Jackson because I wasn’t impressed by Not Quite Dead Yet or Five Survive. I like the premise of both, and if they were each about 200 pages max, I think they’d be amazing. But that was also my issue with As Good As Dead - definitely too wordy, too much internal thinking. Cutting a lot of that and keeping a tight pace with concise writing would have made that book so much better, and I think the same of the other I previously mentioned.

In Five Survive… wow. I think ALL of that RV curtain mess could have been cut, because what did it even matter? A lot of the internal waffling started grating on my nerves. The story itself was interesting, good twist that wasn’t what I predicted from the get-go, and the cliffhanger chapter endings kept me turning pages. But in between those cliffhangers, I almost put the book down several times. It was enough to make me wonder if Jackson wrote the book and an editor told her it needed to be # pages, so she had to add a lot to it.

That said, the concept was phenomenal - I love the idea of an "accident" stranding these teens and making them sitting ducks, and then raising the stakes by making it a purposeful issue. Everything took place in one location over eight hours, and that ticking clock made the story really compelling. I felt like the characters weren't too well-developed, which should have been the top priority considering it was only six people in an RV - why not spend time getting to know them instead of obsessing over the curtains? Instead, they were very generalized. Oliver was too awful, too easy to hate. Red was too pathetic. Maddy was so bland, the only thing I remember about her is that she looked like Red. Etc etc. I think there was a lot of potential here, but it just didn't hit home for me.

The Dime Museum by Joyce Hinnefeld

The Dime Museum by Joyce Hinnefeld

I reviewed Joyce Hinnefeld's novel in stories for MicroLit Almanac - read it here!

The Dime Museum is one of those rare collections that somehow manages to feel both expansive and deeply intimate. Each story stands beautifully on its own, yet as the book unfolds, you realize you’re also being drawn into something much larger: an intricate mosaic of intersecting lives.

The Murder of Roger Ackroyd by Agatha Christie

 

I know it’s a classic. I know it’s widely considered one of the greatest detective novels of all time. But I avoided The Murder of Roger Ackroyd for years for one simple reason: I have a deep, abiding hatred for poorly executed unreliable narrators.

Ever since slogging through The Girl on the Train, where the unreliability felt more like a gimmick than a craft, I’ve been wary of books that pull the rug out from under the reader without earning it. So when I heard that Christie’s 1926 novel used that same device, revolutionary at the time but widely (and poorly, IMO) mimicked since, I hesitated. I assumed it would frustrate me. I assumed I’d see the trick coming and roll my eyes.

I was wrong.

Even going into Roger Ackroyd fully aware of its infamous twist, I found myself completely absorbed. Agatha Christie doesn’t use the unreliable narrator as a twist for the sake of shock. She builds a meticulously crafted mystery around it, planting clues with such elegance and restraint that the final reveal feels both astonishing and inevitable. The brilliance lies in how fair the novel is: the truth is there all along, hidden in plain sight. Unlike more modern thrillers that often blur the line between withholding and deceiving, Christie invites the reader to play detective alongside Poirot, and she respects our intelligence every step of the way.

The narrator, Dr. James Sheppard, is deceptively ordinary, his voice understated and self-effacing. Christie’s mastery is in how she uses that ordinariness to lull the reader into a false sense of security. When the truth clicks into place, it doesn’t feel like betrayal—it feels like revelation.

Yes, The Murder of Roger Ackroyd is a classic. But it’s also a masterclass in narrative control, subtle misdirection, and genre-defining innovation. If, like me, you’ve been burned by unreliable narrators before, don’t let that stop you from reading this one. Christie didn’t just do it first—she did it best.

I wanted to keep that momentum going and check out more versions of the story, so I checked out a screen adaptation.

In this feature-length episode of Agatha Christie’s Poirot (Season 7, Episode 1), Detective Hercule Poirot (David Suchet, the best Poirot, no argument) is drawn out of retirement to the quiet English village of King's Abbot after the sudden death of Mrs. Ferrars, who was suspected of poisoning her husband. When her fiancé, the wealthy Roger Ackroyd, is found murdered shortly afterward, the village is thrown into turmoil.

Poirot carefully investigates the secrets and lies of the Ackroyd household and their neighbors. As tensions rise and suspicions multiply, Poirot’s keen intellect uncovers shocking truths hidden beneath the surface of this seemingly peaceful community. The story culminates in a stunning and unforgettable twist that challenges everything the audience thought they knew. I think the adaptation remains faithful to the novel’s intricate plotting and suspenseful atmosphere, though there were some minor changes I noticed at the beginning, probably to make things more enticing on screen without the need for written explanation.

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After enjoying Agatha Christie’s The Murder of Roger Ackroyd—both the novel itself and the masterful David Suchet TV adaptation—I was intrigued to dive into Pierre Bayard’s Who Killed Roger Ackroyd? This book takes a daring, unconventional approach, re-examining the classic mystery and proposing an alternative solution to one of literature’s most famous whodunits.

Bayard’s work isn’t a straightforward sequel or a typical mystery novel. It's a playful and intellectual literary investigation that challenges the “official” narrative that Dr. Sheppard is the culprit, The author argues, through close textual analysis and imaginative interpretation, that Christie’s story leaves room for another, perhaps even more surprising, answer.

What makes Bayard’s book compelling is how it dialogues with both the original novel and adaptations like the David Suchet episode—works that have defined the mystery’s place in popular culture. While Christie’s novel and the TV version build tension toward that unforgettable twist, Bayard invites readers to reconsider their assumptions and engage more deeply with the text. His work highlights the fluid nature of storytelling and how mysteries can live beyond their original telling.

For fans of The Murder of Roger Ackroyd who want to explore beyond the classic detective story and delve into literary theory and alternative readings, Bayard’s book is a thought-provoking companion piece. It adds a fresh dimension to a mystery that has captivated readers and viewers for nearly a century.

Not Quite Dead Yet by Holly Jackson

Not Quite Dead Yet by Holly Jackson

This had an interesting premise but not my favorite of Jackson’s so far. I feel like the sentence structure got really repetitive and left me skimming a bit because everything felt too in Jet’s head and the thoughts were redundant. However, I love that there was no miracle at the end. I feel like when a character is supposed to die, something happens at the last second and they're saved. I like how realistic this was with Jet dying (no spoiler alert because... that's the whole point!).

It definitely felt more YA to me than I expected, despite the protagonist’s age. I felt like Jet was really childish and annoying, but if she had been 15-17, it wouldn't have bugged me so much. I think going in with the mindset of an adult thriller gives me certain expectations, so maybe if the age was different I would have had different feelings going into it. Some of the scenes and storylines were fairly juvenile, and it would have felt more appropriate for Jet to be 16 struggling with some of this instead of being a very immature, sheltered, inconsiderate, stupid, or all of the above twenty-seven-year-old.

Forever... by Judy Blume (Book + Show)

Forever... by Judy Blume

There are some stories that imprint on you long before you understood why. For me, Forever... by Judy Blume is one of those books. I first checked it out of the library when I was about nine (seriously) and practically wore out that copy by the time I was twelve. I always felt so clever getting it from the library—surely the librarians had no clue what this was really about!

Re-reading it as an adult, first in 2020 while taking Judy Blume's MasterClass, and again in July 2025 in anticipation of watching the Netflix adaptation, was both nostalgic and surprisingly fresh.

Honestly? It holds up. Even more than that—I love it more now, reading it as a grown woman and a parent. There's something powerful about how Blume writes a teenage love story with such clarity and compassion. It's tender, it's honest, and it doesn't moralize. Kath and Michael fall in love. They have sex. They break up. No one gets pregnant. No one dies. And life goes on.

I can remember countless (dated) books of teens having sex and having a baby, being forced to marry, etc. (Thinking of you, Mr and Mrs Bo Jo Jones.) While I do think it's important for teens to know possible consequences, I don't think only focusing on those negative outcomes in stories helps anyone. For that, Forever... was—and still is—refreshing. It allows its main character to explore sex and heartbreak without shame. That message felt radical when I was young, and it still feels rare today.

There is SO MUCH to see in every second of this show. I loved watching the pictures change during the opening credits of each episode.

 

I watched the Netflix adaptation after re-reading the book, and while it stays emotionally true to the original, it definitely updates and reshapes the story for a 2025 audience.

What Stayed the Same:

• Michael's signature mole on his cheek is still there (thank you, casting!). That's one thing that I remembered from the book over all these years, even before re-reading.
  
  

• The cozy New Year's Eve party and fondue scene made it into the show and felt like a direct lift from the book—nostalgic and warm.
  
  

What Changed:

• In the book, Kath and Michael meet for the first time at the party, but in the show, Keisha and Justin already know each other from childhood.
  
  

• They kiss on New Year's Eve in the show, which speeds up the emotional stakes right away.
  
  

• The show's version of Keisha is more experienced and confident, sexually and socially.
  
  

• Justin's family is portrayed as more emotionally stable and warm compared to the book, where Michael's parents are pretty absent, but his sister and brother-in-law are somewhat involved.
  
  

• The story is much more modern, with FaceTime calls, ADHD references, and other contemporary updates.
  
  

• Their relationship gets physical more quickly than in the novel, a nod to how teen relationships have changed (or how they're perceived to have changed) over the decades.
  
  

The show is a solid reimagining, but the book still holds a sacred place for me. It captures something timeless about first love—that intoxicating mix of intensity, idealism, and eventual unraveling. And it does so with respect for young people's intelligence and emotional depth. Even re-reading it as an adult, I was blown away by how the book captures those feelings and then, at the end, allows room for heartbreak, acceptance of change, and new beginnings, all at once.

Check out this article where Mara Brock Akil, the producer, shares a lot of her thoughts about the book and also insight into the show's creation. Watch the show for a contemporary spin, but definitely read—or re-read—the book for its quiet, enduring power. Because Forever... is a solid story about growing up, letting go, and realizing that the end of a relationship isn't the end of you.

The Winston Breen Series

I picked up The Puzzling World of Winston Breen by Eric Berlin because it was on my son’s summer reading list and I’m always game for a good middle grade book, especially when puzzles are involved. I had never heard of this series (or the author), but after just a few chapters, I was hooked.

The story follows Winston, a puzzle-loving middle schooler who finds himself in the middle of a real-life mystery, complete with hidden clues, cryptic codes, and unexpected twists. What makes this book extra fun is that the puzzles aren’t just told as part of the story—they’re right there on the page, waiting for you to solve them alongside Winston. And yes, I absolutely did them all!

Of course, as soon as I finished book one, I dove straight into book two: The Potato Chip Puzzles. This installment takes Winston and his friends on a high-stakes puzzle-solving competition with a $50,000 prize on the line. The vibe reminded me a bit of Mr. Lemoncello’s Library, with its mix of quirky challenges, clever twists, and fast-paced fun—but The Potato Chip Puzzles came first and has its own distinct charm. The puzzles were as delightful as ever, and the story had just the right blend of mystery, humor, and heart. If you have a kid who loves Lemoncello, this is a must-read.

Finally, I wrapped up the trilogy with The Puzzler’s Mansion, and honestly, it might be my favorite of the three. The mystery felt deeper, more layered, and even more satisfying to unravel. The setting—a sprawling estate hosting a weekend-long puzzle event—was pitch-perfect, and the puzzles didn’t disappoint. There’s something so rewarding about a book that invites you to think, not just follow along.

Bonus side effect? I've started watching The 1% Club lately (highly recommend if you like logic puzzles and lateral thinking... or Joel McHale), and I’m amazed at how often the Winston Breen books have prepped my brain for the kinds of questions they ask. Case in point: the final question of Season 1, Episode 3. All the contestants got it wrong—but I nailed it, because a Winston Breen puzzle had a similar structure, and my brain just clicked into gear.

If you're looking for a smart, interactive, and genuinely fun series to enjoy with your kids (or just on your own), I highly recommend the Winston Breen trilogy. It’s clever without being condescending, full of engaging puzzles without sacrificing story, and it might just sharpen your brain in the process.