Total F*cking Godhead by Corbin Reiff

Total F*cking Godhead by Corbin Reiff

I have a lot of thoughts and feelings about Chris Cornell, which I won't get into here (yet) in the spirit of keeping this a review focused on the book. Basically, that setup is to explain how eager I was to read this book. I wanted to learn more about the prolific, mysterious musician that dominated so much of my youth and continued to impact me in more ways than I realized growing up.

Overall, this book delivered what I expected. It begins with a disclaimer that interviews were hard, or impossible, to get, or perhaps fizzled out after legal issues sprang up with Cornell's widow, Soundgarden, and probably many more parties. So as much as I love a juicy tell-all, it's understandable that there was no way that would happen here.

The book had a bit of Cornell's childhood and a lot about his start in Seattle, which was interesting and definitely set the stage for all to come. However, the recording of one or two Soundgarden albums took up almost entire chapters, while ten years pass in two pages later in the book.

If the entire book was as in-depth as those Soundgarden albums, I would have a different feeling about it, because it would feel even. But the pacing was off here, and it felt like, once we reached 1997 or so, the deadline was looming next week and we had to race through the rest of Chris's life to finish a draft. With so much attention given to reviews, interviews, and performances earlier in his career, it felt lacking that the same wasn't done at the end of his career, especially as he tried so many different things.

Given that the book is (seemingly) mostly pulled from interviews other people conducted with Cornell and those who knew him, I think the writing handled that well in trying to make it feel more immersive, like the reader is along for the ride. There were detailed scenes at the beginning of each chapter that felt like stepping into the story, but then the chapter would backtrack to sometimes years earlier than that scene, and I feel like the time jumps weren't handled in a way that made the timeline clear. I typically had to flip back to the start of the chapter once I reached that event later and kind of insert the action back into the right context.

As I said, the book is largely written based on interviews conducted by others - but I do appreciate the writer's extensive notes on sources! I flagged a lot of those to look up later, so in a way, this almost felt like a textbook. It gathered the foundational information in one place for me, then gave me all the resources I needed to go down my own rabbit holes.

While there are some things I wish were different about this book, I say that "criticizing" it very loosely, because I realize it's an unauthorized biography written at a time when his death was still raw (if you're arguing it isn't always feeling like a massive loss) and there was a lot of legal mess abound. I don't blame the author and publisher for wanting to tread carefully in that landscape without giving up the project entirely. So as long as you're not expecting a juicy tell-all, this is a worthwhile read.

Some Writer!: The Story of E.B. White

Some Writer!: The Story of E.B. White

by Melissa Sweet

I've read a lot of E.B. White's work, but I didn't know much about him. This book was an incredibly enjoyable way to learn about him, and is probably my favorite biography read so far.

I loved this book because it really pulls the reader in. It goes beyond words on a page; it is presented as a scrapbook of E.B. White's life. Snippets of letters and White's early work are beautifully laid out on the pages. Sweet adds a lot of color and character with bright illustrations, giving readers visual insight into the author's life.

Some quotes I could especially relate to:

- "'There is a secret joy in discovering a blunder in the public prints,' Andy wrote. 'Almost every person has a little proofreader in him'" (44).

- "To a writer, a child is an alibi. If I should never write anything worth reading, I can always explain that by pointing to my child" (50).

- "A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell" (102, also from The Elements of Style).

What To Do About Alice?

Fun fact: My son has the same name as Alice’s father!
Plot Summary
Alice Roosevelt was unlike the other girls of her time. She called the way she lived life “eating up the world” - but her father, Theodore Roosevelt, said she was “running riot.” Alice’s mother died when she was just two days old, and her father remarried and had more children. Alice never really fit in with the family, preferring to join an all-boys club and race her bike around town. Instead of attending boarding school, she convinces her father to let her learn from his personal library. After Roosevelt is elected president, Alice travels extensively as her father’s goodwill ambassador, taking the world by storm.

Critical Analysis
     Accuracy.
In her bio, author Barbara Kerley mentions how and why she became familiar with Alice Roosevelt. This leads one to believe that the book was a labor of love, researched because the author was enthralled with her subject. Kerley has written other picture book biographies.
     The book ends with an author’s note, giving information about why her father’s second family might have prompted Alice to act out and what she did with her life past the scope of the book’s text. There is a small section that gives attribution to sources of various quotes, and a note that both the text and illustrations were fact-checked, though only a name is given, not a title or affiliation.

     Organization.
This informational storybook is organized like a fictional storybook, which will certainly engage young readers. Though it’s nonfiction, the book doesn’t seem boring or fact-laden; Alice is as bright and energetic as any fictional character. There is not a page without an illustration, and the text is formatted to look aesthetically pleasing as well, with different layouts, fonts, and font sizes. Since it reads in chronological order like a traditional storybook, there is no need for chapter headings or an index.

     Design.
This book is beautifully done. Edwin Fotheringham’s illustrations help the book read almost like a comic or graphic novel, yet are gorgeous enough to be framed. The text is straight-forward and almost basic compared to the illustrations, but the elements work together to give a more rounded story overall. For instance, after being warned by her father to avoid publicity, the next page simply reads “‘Oh, Alice.’” If only the text were being heard, this page would sound boring; when shown the illustrations, however, there is a two-page spread where Alice is being surrounded by newspapers with headlines all about her. There are also jokes in some of the illustrations that are missed when reading the text alone. I think this is a great approach because it seems sly and humorous, just like Alice herself.

     Style.
The style of this book is fun and lighthearted. This is clear from the front cover all the way to the author’s bio in the back. It’s clearly a project that both the author and illustrator were passionate about. The illustrations are playful and the text gives a broad overview of Alice Roosevelt’s life, encouraging further exploration by giving just enough information to pique the reader’s curiosity. The summary on the end pages complete the story of Alice’s life, but overall the book seems to be a great introduction to biographies in general and Alice Roosevelt in particular. I think it will encourage further reading.

Personal Response
I wasn’t a big fan of informational books as a child; biographies seemed especially boring. I’m thrilled to see that the genre has had a complete overhaul. I can’t count how many times I’ve flipped through this book just to look at the pictures. The text is fun and interesting and easy to read, but the illustrations are what really grab me, and I feel they will grab younger readers as well. I will look for more Kerley biographies because I appreciate her approach to the genre. This is Edwin Fotheringham’s first picture book, but I am already seeking out his other illustrations from The New Yorker, Vanity Fair, The New York Times, and more.

Reviews & Awards
This book is off the charts! It is a Sibert Honor Book, Boston Globe-Horn Book Honor Book, Irma Black Award Honor Book, Publishers Weekly Best Book of the Year, School Library Journal Best Book of the Year, Kirkus Reviews Best Book of the Year, an ALA Notable Book, and has won the Washington State Scandiuzzi Children’s Book Award and the Parents Choice Award. (Phew!)
     In a Booklist starred review: “Irrepressible Alice Roosevelt gets a treatment every bit as attractive and exuberant as she was... Kerley's text has the same rambunctious spirit as its subject, grabbing readers from the first line... The large format gives Fotheringham, in his debut, plenty of room for spectacular art." Publishers Weekly also gave it a starred review, saying “It's hard to imagine a picture book biography that could better suit its subject than this high-energy volume serves young Alice Roosevelt.”

Connections & Activities
“Well-behaved women seldom make history.”
     This quote has been attributed to many noteworthy women, such as Eleanor Roosevelt, Marilyn Monroe, and Anne Boleyn. The earliest version that could be found was in a 1976 academic paper by Laurel Thatcher Ulrich. Ulrich is now a Pulitzer-Prize-winning professor at Harvard, but was a student at the University of New Hampshire when she wrote the article in question. (Read more here.)
     Have students check out more biographies about other women who spent their lives “eating up the world.”
     I Am Amelia Earhart by Brad Meltzer. ISBN 9780803740822
     Eleanor by Barbara Cooney. ISBN 9780670861590
     Joan of Arc by Diane Stanley. ISBN 9780064437486
     Bon Appetit! The Delicious Life of Julia Child by Jessie Hartland. ISBN 9780375969447

Read it for yourself!
Kerley, Barbara. 2008. What To Do About Alice? Ill. by Edwin Fotheringham. New York: Scholastic. ISBN 9780439922319