Monday, April 29, 2019

David Sedaris Live

Last week, I saw David Sedaris live for the third time, and it was just as good as the first two. He is so touching, so humorous, so down to earth, while being so out there, that I couldn't stop laughing and marveling at his wit and thought processes.


Sedaris is an author I've loved for years, and his writing really inspires me. I've clipped articles about his diaries - why he keeps them, what they mean to him - and he inspired me to start doing something similar. He pushes me to think about my seemingly-ordinary days in different ways and mine story ideas from the happenings. He pushes me to edit and revise and see how my writing can be polished.

This time, I noticed him making notes when the audience laughed, or when we didn't laugh. I wonder what he wrote, and how he'll revise his pieces - if at all. Maybe he's just taking notes for the sake of keeping a record, like his diaries.

He said he kept records about all his shows - how many people were there, what pieces he read, what diary sections he read, what book he recommended. He looks over these notes before re-visiting the same city, which he'll do in Memphis in November, since this show sold out. It got me thinking about how much work his job actually is. I think the dream is that authors get to sit around and dream up stories, even though that can be tough with writer's block, revision, promotion, etc. But when Sedaris tours, he goes to a new city every other night, reads, makes notes, visits and signs books until everyone has left. That's a lot of work. Signing alone would make your hand ache, but can you imagine being onstage for an hour or two, then making small talk with people for another two or three hours? It's nice of him, generous of his time and spirit, but it makes me realize I could never be that type of author. It's hard for me to make more than awkward small talk with people I somewhat know, much less with strangers. I can't imagine what my voice would sound like after reading onstage for so long, then talking more. I guess you'd get used to it, but it would definitely feel more like "work" to me than just writing. And I know this is his personality, and he seems to genuinely enjoy meeting people and hearing tidbits about their lives.

But I also know that if I became a successful writer, I'm much more likely to be a Harper Lee than a David Sedaris. What about you?

Friday, April 26, 2019

Dahl Study: A Dip in the Pool

My author study of Roald Dahl started with a reading of his Collected Stories while watching the accompanying episode of Tales of the Unexpected. Each Friday I'll recap a story and show (with spoilers, just so you know), but I encourage you to read and watch them on your own if you're interested!


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"A Dip in the Pool" from Collected Stories (read 1/3/19)

A man is on a cruise. There is some sort of auction where passengers vote on how far they think the ship will travel in a day. It seems a storm is coming, so the man bids on a low number and goes to bed. He wakes up to a beautiful day, and the ship is speeding to make up time. He gets scared because he bet his life savings and his wife will be mad, so he decides to slow the ship down. He makes sure someone will see him, then jumps overboard. But the person who saw him was an old woman who just thought he was jumping in to get some exercise.


"A Dip in the Pool" from Tales of the Unexpected (viewed 1/3/19)

The film was pretty much the same as the story. The actor playing Mr. Botibol was better than I could have imagined! Everything about him was perfect. I want to go back and re-read the story with him in mind. The film actually clarified the auction/betting aspect of it for me, too, so this might be one of the rare cases where watching the film first might be a good thing to help flesh out the story.

I think this has been one of my favorite stories and film adaptations of Dahl's so far!