Black Cake by Charmaine Wilkerson

Black Cake by Charmaine Wilkerson

My mom recommended this book after she read it, so I went in not knowing what it was about and didn’t read the blurb to know what to expect. All my mom said was that she liked how the POV jumped around. I’m hit or miss with that type of storytelling, so I kind of wanted to keep my expectations blank beyond knowing that.

I’m not sure if knowing what it was about would have made a difference at all, but I loved this book. The different POVs absolutely worked, and I loved getting to peek into everyone’s mindset. Being able to get into the mother’s head—and her past—kept the story moving more than it would have just “listening” to the recordings. Can’t wait to read the author’s next book - and watch this series on Hulu!

The Great Gatsby: The Limits of Wonder by Richard Lehan

The Great Gatsby: The Limits of Wonder by Richard Lehan

I don't think I've ever read a critical book that wasn't for school, and I wasn't sure what to expect from this one, nor did I know what I'd get out of it. But it was amazing, and a lot of it opened my eyes to new layers in the classic text.

My favorite section was Chapter 12, Seeing and Misseeing: Narrative Unfolding, which breaks down the book's timeline. I also appreciated the chapters breaking down characters, including George and Myrtle Wilson. After reading Beautiful Little Fools by Jillian Cantor, applying those women's backstories to these straightforward interpretations was incredibly interesting.

While the book does focus on The Great Gatsby, the author also draws parallels between that and Fitzgerald's other works when there are common themes or character traits, so it gives you a broad scope of his writing. I took notes to create a suggested reading list as well.

I knew a fair amount about Fitzgerald's inspiration for the story, which this book addresses, but it also discusses some of his influences and, again, that helped me create a suggested reading list. I think it will be fun to check out some of these other authors (some I've read, some I haven't) and see if I can notice the commonalities myself.

There is also more general information, like this, from Chapter 3, Critical Reception:

It is hard for a reader today to realize that when F. Scott Fitzgerald died in December 1940, all of his books were out of print, including the fourth printing of The Great Gatsby, the 1934 Modern Library edition, which Random House had let go out of print because it was not selling well. Today The Great Gatsby sells over three hundred thousand copies a year, and over three hundred critical essays have been written about it since Fitzgerald's death.

(This book was published in 1990, for context.)

I'd be interested in seeing how many copies are sold annually now, how many more critical essays (and books) have been written, and, in the spirit of my upcoming chapbook, Green Light: A Gatsby Cycle, how many books and retellings it has inspired. 

Perhaps it's time for me to dive into a rabbit hole...

Self-Made Boys: A Great Gatsby Remix by Anna-Marie McLemore

Self-Made Boys: A Great Gatsby Remix by Anna-Marie McLemore

I wasn’t sure what to expect when I started this book. I hadn’t read any of the remixes in this series (by different authors), but I love retellings and spins on the classics, so I was excited to see what happened. 

I was really impressed with how this interpretation stayed true to the original in so many ways, especially considering both Gatsby and Nick are trans, many characters are LGBTQIA+, and it’s written for young adult readers. That meant some of the relationships were toned down, and of course the violence at the end of the book is different. 

It doesn’t detract though; it helps this book standalone, though I would recommend reading it after the original for older readers, and would hope that younger readers would feel inspired to read the original after they finish this one.

Beautiful Little Fools by Jillian Cantor

Beautiful Little Fools by Jillian Cantor

This book might now be one of my all-time favorites. WOW. I love anything Gatsby, and I’m always intrigued by retellings, whether it’s something inspired by a book or from a different point of view. 

Cantor reimagines The Great Gatsby from the women’s points of view: Daisy, Jordan, and Catherine, Myrtle Wilson’s sister. There’s also a detective thrown into the mix, a new addition since the book focuses on trying to solve Jay Gatsby’s murder. 

It stands alone (I would compare it to Big Little Lies and books along those lines, honestly), but it’s fun to see the little mentions of things that were in Fitzgerald’s original - whether they’re used as-is or seen through a different lens considering the POV of this book. 

There was also a nod to Harold Bloom that made me smile. I can’t recommend this one enough.

I do have one nitpicky remark that I'll hide under a spoiler tag...

The Great Gatsby: A Graphic Novel Adaptation by K. Woodman-Maynard

The Great Gatsby: A Graphic Novel Adaptation by K. Woodman-Maynard

This graphic novel adaptation is a stunning way to revisit The Great Gatsby. Woodman-Maynard’s watercolor illustrations seamlessly blend with Fitzgerald’s words, capturing both the extravagance and the eerie, dreamlike quality of the original. 

The imagery takes on a life of its own—sometimes literally—which adds a fresh layer to the classic. 

That said, it’s an adaptation, so while it beautifully distills the novel’s essence, it’s best enjoyed alongside the full text. The author’s note explains this well, but if you’re just looking for a visually rich Gatsby experience, this one’s a treat.

How to Love a Black Hole by Rebecca Fishow

How to Love a Black Hole by Rebecca Fishow

I reviewed Rebecca Fishow's latest collection for MicroLit Almanac - read it here!

How to Love a Black Hole is a haunting, profoundly emotional collection that explores the fragility of human relationships, the weight of trauma, and the search for meaning in a world often defined by contradictions. Each story in the collection leaves a lasting impression, lingering in the mind long after you turn the final page. Fishow’s writing is surreal yet grounded, rich in symbolism and vivid description that blurs the lines between reality and the supernatural.

The Chosen and the Beautiful by Nghi Vo

The Chosen and the Beautiful by Nghi Vo

If you love The Great Gatsby in any form, The Chosen and the Beautiful is a fascinating twist on the classic. 

Nghi Vo reimagines Jordan Baker as a queer, Asian adoptee navigating the glittering excess of the 1920s—while also wielding a quiet, eerie magic. The fantasy elements aren’t in-your-face but woven subtly into the story, letting you catch them as you go. It’s dreamy, sharp, and just the right amount of haunting—a fresh take on a world that already feels otherworldly.

56 Days by Catherine Ryan Howard

56 Days by Catherine Ryan Howard

I always thought I would hate a book about covid and lockdown but I guess… we’re far enough from it now (while possibly being on the cusp of another?) that it almost seems… quaint?

I’m sure that’s not the right word but it almost fits.

The memories of everything shutting down, the quiet cities, and uncertainty of interacting with others works so well to establish an unsettling premise here. Add in the possible romance and moving in with someone you’ve been on just a few dates with and the stakes are certainly high!

I think the twists were really good because you think you have one figured out, then the rug is pulled out from beneath you right at the end. And not in an underhanded way - you have all the information all along, it’s just not what you expect. I liked the time jumps and how more was revealed each time.

The Most Wonderful Crime of the Year by Ally Carter

The Most Wonderful Crime of the Year by Ally Carter

Once I started seeing this book everywhere, I knew I needed to give it a try. I was surprised to see it was classified as romance at the library, considering the title and book summary. Once I read it, I got a bit of the romance aspect, but it was pretty light and behind closed doors. It made me think of what an Emily Henry cozy mystery might be.

I really enjoyed the writing and the brief interludes of the police transcript. Randomly jumping to Ethan’s POV halfway through, and then sporadically after that, kind of threw me off. I feel like he would mention things and the reader would get them, then he’d mention them again later to Maggie and, while I understand why it was that way, it just felt repetitive as a reader and I would have rather had new reveals instead of reliving the elevator scene several times. However, I loved this overall and want to read more by the author.