Friday, July 12, 2019

Dahl Study: Nunc Dimittis/Depart in Peace

My author study of Roald Dahl started with a reading of his Collected Stories while watching the accompanying episode of Tales of the Unexpected. Each Friday I'll recap a story and show (with spoilers, just so you know), but I encourage you to read and watch them on your own if you're interested!


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"Nunc Dimittis" from Collected Stories (read 1/13/19)

A man who has been seeing a woman for a long time finds out that she has been telling people in their circle that he is boring. It embarrasses him and makes him so mad, he decides he wants revenge. He secretly commissions a painter to paint his girlfriend's portrait. The painter is known for painting in layers - as in, he paints a woman nude, then adds her undergarments, then adds her dress. Once the painting of the girlfriend is complete, the man, an art collector, carefully uses turpentine to remove the top layer of paint. He hangs the portrait of the woman in her undergarments in his dining room and invites all of their rich friends over for a dinner party. He slips away from the party right after the painting is unveiled. He later finds out that his revenge backfires - everyone hates him. The girlfriend forgives him, though, and sends some of his favorite caviar, which he eats - then feels ill.

"Depart in Peace" from Tales of the Unexpected (viewed 7/4/19)

The episode is called "Depart in Peace" even though the short story was titled Nunc Dimittis, which means "Now you dismiss." I like that the new title is a variation of the same sentiment, and I like how both versions of the title add meaning to the end of the story. The short story was originally published as "The Devious Bachelor", which also applies to the story, but isn't as clever as the two later titles.
          The show is the same as the story, but with a bit more clarity. The man doesn't leave when the paint is unveiled, but rather makes eye contact with the girlfriend and watches as she faints. Later, she comes to him in person to forgive him and say she loves him and always will, and he must not listen to gossip from people in their circle. She gives him the caviar and he makes a cracker for her and then eats his own. He starts to feel strange, looks at her, and she puts her uneaten cracker back on the tray with a smile. She leaves and he walks away, towards the painting of her (for reasons I didn't understand, if there are any). He's basically hiding behind a curtain without really hiding when the butler comes in to clean up the tray. The butler looks around, sees no one, and sneaks a bite of the caviar. He is walking to the door when the man falls from behind the curtain. The butler drops his tray and falls into a chair, as if he is also feeling ill. The woman comes back into the room, looks at both men, and smiles at what she's done.

Monday, July 8, 2019

Matilda the Musical


Last weekend I saw Matilda the Musical at Playhouse on the Square. I originally saw it at the Orpheum in January 2016, and fell in love!

About that performance, I said:
I was only halfway through [re-reading] the book when we went to see the play, but I liked it that way - I couldn't remember the original ending, so the play was still somewhat suspenseful. 
          [The play is] hard to review because... it's amazing. I would have gone to see it again the next night if I could have! The stage looks fantastic with all the letters and colors and blocks, and it pulls you right into Matilda's world. The actors are perfect in their roles. We saw a native Memphian play Matilda on opening night, so that was a nice perk!
          The musical differs quite a bit in that Matilda's mother has a different hobby, which doesn't add much to the story, in my opinion. Matilda also tells an ongoing story she's made up, which is overly sentimental and also doesn't add much to the story, especially since Miss Honey's backstory is explained so concisely in the book. But I am a huge Tim Minchin fan, so I appreciate how these divergent storylines help develop the musical side of the story. Tim Minchin's songs are very clever and add jokes and wit to the story.

Besides being excited to go with a group and show off my photography exhibit in the cafe lobby, I was excited to see how it was interpreted for the smaller stage at Playhouse. The set was pared down, of course, and the letters were projected with lighting instead of being hung all over the stage. One thing I love about smaller theater performances is how much they do with limited sets and space. Using the doors and blocks for multiple purposes was really creative. The actors themselves were all fantastic, and there's nothing that makes me tear up faster than young locals blowing an audience away, and having that audience cheer like crazy. (I think there were lots of family and friends in the crowd that night, but still.)

Everyone I was with really loved the musical, and as someone who saw it years ago and has listened to the soundtrack countless times since, hearing the songs performed onstage was almost like seeing a band in concert. I loved hearing the music live again!


As far as I could tell, the show was sold out, and so many local businesses and families had wanted to sponsor the show that I hope it's performed here again before too long. I think it's great that it's based on a book, of course, but it seems like several plays each season are book-based at Playhouse. I think I mostly love how there were people of all ages there, and everyone seemed totally into the story and songs. I think Dahl is a timeless author, obviously (see: Author Study), and I've enjoyed some of the movies I've seen based on his work, but I do love that he's being updated and exposed to more people by having his stories transformed into plays and musicals.