Grandpa Green

Plot Summary
Grandpa Green tells the story of a man from birth to old age. It is told from the point of view of a young boy as he walks through his great-grandfather’s garden. More of the story is told through illustration than words, so it’s crucial to pay attention to every page, because there’s another layer to the story hidden there!

Critical Analysis
Lane Smith’s illustrations are absolutely breathtaking. Though the book has words, flipping through the pages feels as memorable as flipping through a photo album. Each page is packed with meaningful illustrations that go well beyond the scope of the words themselves. The illustrations look simple, because they consist of line drawings with very few colors, and the green areas are more heavily sponged. All of the colors are very muted; even the greens are strong rather than vibrant.
     This type of illustration works perfectly with the subject matter. The words are very matter-of-fact, telling the story with no adjectives or adverbs. Even the text is a dark green, as if Smith didn’t want the font to take away from the illustrations. This is a great choice because the illustrations tell so much more. They should be studied as long as possible before turning the page.

Personal Response
I wasn’t sure what to expect when I got this book. The cover looked almost monochromatic, so it didn’t really grab my attention. Also, I hate to say it, but sometimes I overlook award winners because I figure they must be stuffy if a panel liked them. (That opinion, I must say, has gone out the window after reading for this class!) I knew Lane Smith from his work with Jon Scieszka, but those projects were much sillier. In comparison, this book looked boring.
     Once I opened the book, I appreciated the contrast of the heavily painted topiaries next to the delicate line drawings. On my first reading, I read the text quickly, scanned the pictures, and finished thinking, “Huh, that’s it?” I read it several more times for class, loving it more each time. I spent several minutes on each page, and I think it’s crucial to do so because there are some little jokes hidden there, and it’s easier to understand the story. On the page about the world war, for example, it is incredibly important to take in the illustration piece by piece. As a whole, it looks beautiful, but once you look at every element, you appreciate it so much more. So then you go back to the first page to see it all again.
     It’s a good thing the illustrations are gorgeous, because this book seems very sad to me overall. The boy learning about his great-grandfather’s life reminded me of my own grandfather, who also fought in a world war and became very forgetful in old age due to Alzheimer’s. The fold-out pages near the end are bittersweet, with the final image giving closure to the story.

Reviews & Awards
Grandpa Green is a Caldecott Honor book, and once you see the illustrations, you’ll understand why! It was also one of Publishers Weekly’s Best Children’s Picture Books for 2011, and one of School Library Journal’s Best Picture Books of 2011.
     The New Yorker said it perfectly: ”The author’s illustrations, a blend of line drawings and sponge painting, have a classic feel, and make clever use of the topiary theme, rewarding close examination and repeated reading.”

Connections & Activities
- This book reminded me of The Giving Tree by Shel Silverstein. I think it would be fun to have a program where both books are read, and listeners can compare and contrast them.
- Reading this book (or perhaps rereading it) can be made into a scavenger hunt. Children are given a list of items to find in the book and write down the page number where they find the picture. Items can range from some of Grandpa Green’s lost belongings to more general things cut into the topiaries.
- This book might inspire children to learn more about their grandparents’ or great-grandparents’ lives. They could conduct interviews to start a family history, and further that research at the library. Or, if they have no living grandparents, they can pick an aspect of the book to research, such as a world war.

Read it for yourself!
Smith, Lane. 2011. Grandpa Green. New York: Roaring Brook Press. ISBN 9781596436077

Sylvester and the Magic Pebble

Plot Summary
Sylvester is a young donkey who lives with his parents and spends his time collecting pebbles. He is exploring one rainy day when he finds a bright red, round, shiny pebble. As he looks it over, he wishes it would stop raining - and it does! Sylvester makes a few more trial wishes, and all come true while he is holding the pebble. He’s excited to show his parents and friends, but on the way home he encounters a hungry lion. Flustered, Sylvester doesn’t wish for the lion to disappear, but wishes he was a rock, and therefore safe from the lion. Because of the magic pebble, Sylvester indeed becomes a rock. And because he is a rock, he can no longer hold the pebble and make wishes. He stays a rock for a long time; his parents worry and question the townspeople, but no one has seen Sylvester. The young donkey remains a rock as the seasons change. His parents have never gotten over their son going missing, but one summer day, they decide to have a picnic. They find the perfect rock to sit on, and it just so happens to have a bright red pebble next to it! Will his parents wish Sylvester back into his regular form, or will he stay a rock forever?

Critical Analysis
The primary theme of Sylvester and the Magic Pebble is how children may wish for foolish things, and how that affects those around them. It is a beautifully written story, with anthropomorphized animals acting out the parts: Sylvester and his parents are donkeys; the police are pigs; neighbors are chickens, cats, and dogs. Most wear clothes and act like humans do - Sylvester’s mother wears a dress and knits, and his father wears a suit and smokes a pipe. The emotions on the animals’ faces are very expressive, and help add suspense and sadness to the story while Sylvester is missing.
     The illustrations look timeless, and have helped this book become a classic. The clean black lines make the vivid colors pop as Steig shows the change of seasons. Instead of the more traditional layout of pictures on the top part of the page and text at the bottom, Steig puts smaller pictures around the text on several pages. This helps the story flow through the illustrations, because they are not separate from the text and inspire the reader’s eyes to explore the page.

Personal Response
I had forgotten that all picture books weren’t silly! Sylvester and the Magic Pebble has an undertone of sadness, with Sylvester wishing himself home in his old body, and his parents missing him fiercely and searching for him incessantly. These emotions were expressively displayed in Steig’s illustrations of the characters, and really helped the sadness hit home. In fact, I think the illustrations were my favorite part. Nothing against the story, which was well-written and entertaining enough, but the illustrations are very vivid and colorful. They can’t tell the story by themselves (how would readers know the pebble is magic and that Sylvester turns himself into a rock?), but they really enhance the story, which wouldn’t be the same without them.

Reviews & Awards
Sylvester and the Magic Pebble won Caldecott Medal in 1970 due to Steig’s wonderful illustrations (mentioned above), and has been considered a classic since then. Interestingly, Steig’s portrayal of policemen as pigs has raised some controversy over the years, leading to the book being banned in certain parts of the United States! (For the record, pigs are shown on other pages as regular neighbors.) The book was reviewed in the Horn Book in 1969: “A remarkable atmosphere of childlike innocence pervades the book; beautiful pictures in full, natural color show daily and seasonal changes in the lush countryside and greatly extend the kindly humor and the warm, unself-conscious tenderness.”

Connections & Activities
William Steig’s other books include:
     Doctor De Soto ISBN 9780312611897
     The Amazing Bone ISBN 9780312564216
     Shrek! ISBN 9780312384494 (Yes, this is the book that inspired the movie!)
After reading the book, start a discussion about various aspects of the story. For example:
     - Sylvester likes to collect colored pebbles - what do you like to collect?
     - If you had a magic pebble, what would you wish for?

Read it for yourself!
Steig, William. 1969. Sylvester and the Magic Pebble. New York: Simon & Schuster. ISBN
     9780671661540